Whew! Back from 9 Worlds, and it was much fun. I learned a lot about podcasts, listened to skeptics talk about fairies (Deborah Hyde), spent a lot of time on the history and academia track, listened to panels on death, gothic literature and a cage fight between SF and Fantasy, enjoyed the panel on diversity in LARP, and many other things.

This is Dr Simon Trafford who presented Why Sing Pop In Dead Languages and explained how Dead Can Dance has transformed Christian period songs into vaguely spiritual-sounding neoclassical gothic mush (yeah, but I like that stuff).

This is Jensen’s gin. I tried both their Bermondsey (London dry) and Old Tom (pre 1830’s style) gins, and both are really great.

Now I have to get something off my chest. Dystopian fiction featured heavily this year — from the Arcadia or Armageddon and I Predict A Riot panels to Vanessa Thompsett’s excellent Dystopian London In Fiction (which was absolutely spot on, discussing how Huxley, Orwell and Moore change the psychogeography of the London we know to create their dystopias). I say this:

Dystopia is not the same as post-Apocalypse.

The panelists repeatedly conflated these two terms, and although there is overlap they are not the same thing. Apocalypse is nearly always about scarcity and community. Dystopia is about social control, unfair living conditions, arbitrary laws and non-transparent hierarchy structures, etc.

Of course dystopia can arise in a post-apocalypse world (e.g. H. M. Hoover’s Children of Morrow). But it was a bit annoying to hear The Road being referred to with some regularity in the Utopia/Dystopia conversation.

Props to the awesome Geoff Ryman for (a) calling out the lack of utopian vision in modern fiction (and pointing out that ISIS is at least someone’s utopian vision) and (b) plugging Charlotte Perkins Gilman’s Herland which is an example of a progressive yet utopian novel (when a lot of utopian concepts are regressive and pastoral — compare that to dystopias which are post-industrial and feature travel, advances in science, etc.).

For a proper post-apocalyptic vision I did enjoy Lewis Dartnell’s The Knowledge — so much I bought the book:

Yes, it’s popular science but all good fun and very level headed — a laundry list of different things you would need to get society running again after a collapse, from food and water to fuel, transport, communication (the printing press!) and very interestingly time and place, i.e. how to make an accurate calendar for agriculture, and how to navigate to places. If you want a shortcut for game research, this is pretty good.

All in all another fine convention, thoroughly recommended.