This was unexpected:
(it made me wonder if he’d read what I wrote and this was some very, very oblique vaguebooking)
The opening tweet is a bit nonsensical: if you’ve created a rule for a new kind of action, then surely the system reflects that by definition. But I don’t want to take it out of context so here’s the whole text for this point:
Mechanics concern: Bolting on new tech. If you’ve got a rule for a new kind of action in the game, that is fantastic. If it’s core to the game that’s even better. The trick is to make the system reflect that, which might make for a deep (and possibly uncomfortable) dive.
If games looks like “Everything Blades has plus a random treasure table” or really “and plus anything” then chances are there is still to many Blades in your Dark! Consider these ideas (and I’d love to hear more):
Create your system from the fiction you want to see. Decide what you care about (that’s really important, this is your game, what YOU care about is what matters here) and build from there.
Consider your values and how they affect your design choices. They always are!
Question the narrative of play. Why the are the characters taking the actions they do? What is happening in your setting? How do those interact?
Leave spaces to fill in the details, but define enough of it that everyone knows the basic parameters they are working with.
Crucially Nittner is speaking as a publisher to a potential pitch, so his opinion is critical (in more than one sense): this is what he would like to see from a differentiating product. I’m not that audience, although I am an advocate for genre awareness (hence Fictoplasm). But I’d also say, why not bolt things on? A lot of games are modular by design, Blades included (along with PbtA, OSR, etc.).
The other interesting thing is this is Evil Hat, home of FATE, a system so generic and malleable that it should be simple to apply desired settings (a great strength, particularly if you’re developing games). But with FitD suddenly talking about baked-in mechanics which drive towards a particular genre. I’d be very interested to see how much the different Forged products differentiate themselves from the source and each other. I think I’m right to say the best PbtA games require incredible dedication and thought, plus engagement with the playtest base to achieve the creator vision.
Will company oversight help the differentiation, or will everything come out smelling of FATE?